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The post The Endless Road appeared first on Nina Paley.

This summer I was surprised by several out-of-the blue, generous gifts. One of them was from illustrator Nina Bunjevac, with whom I communicate occasionally on social media – we have a little Mutual Admiration Society going. She sent me a set of beautiful French tarot cards, which I received last week and promptly stared at for several hours.

Although we share a first name, I promise that doesn’t bias me. Bunjevac’s line art epitomizes what I’ve always thought line art should be. She’s a direct creative heir to one of my all-time favorite illustrators, Virgil Finlay, and ...

The post Boing! appeared first on Nina Paley.

I’m creatively constipated and need to flush my system.

The post Time for some more Abstract Animation appeared first on Nina Paley.

There are a lot of angels in the Book o’ Revelation, and I’ve been dithering about how to depict them. But they mostly seem like they can be represented like this, except for the one that has legs of fire (I’ll figure out what to do about him/her/it/them/zir later). Flying-hands-with-eyes should be able to handle most apocalyptic angel duties, such as hurling fiery censers, dumping bowls of plagues, blowing horns, and whatnot.

The post Angel o’ the Lord appeared first on Nina Paley.

I don’t want to have to animate a hand by hand. So I made this articulated “bone” model. Problem is, it’s a little stiff, and there’s no way to make the white outlines smooth and even. It seems like a nice smooth hand would be easy enough; the problem is when the fingers go in front of each other, as in the making of a fist. Then you need layers, where each part of a digit that obscures any other part is on another layer. This model has 16 layers: one for each “bone” of the fingers ...

⁴ The woman was arrayed in purple and scarlet, and adorned with gold and precious stones and pearls, having in her hand a golden cup full of abominations and the filthiness of her fornication.  —Revelation 17

The post Cup o’ Abominations appeared first on Nina Paley.

This is definitely a work in progress.

The Whore wears scarlet, but I think the Beast she rides is also red, so I might take some liberties with color when I show them together.

² And I saw, and behold a white horse: and he that sat on him had a bow; and a crown was given unto him: and he went forth conquering, and to conquer.
….
⁴ And there went out another horse that was red: and power was given to him that sat thereon to take peace from the earth, and that they should kill one another: and there was given unto him a great sword.
⁵ …. And I beheld, and lo a black horse; and he that sat on him had a pair of balances in his hand.
….
⁸ And I ...

I’m working on the Four Horsemen of the Apocalypse. The Horse and the Man use the same 64-pointed shape as the Cathedral, Wing, Eye, Beast Head, Rose Window, etc. Because they’re the same object, I made this little 2-frame test in which they alternate – essentially a Thaumatrope. It’s just an experiment, but maybe I’ll use this effect for reals somewhere.

After months away, I’m working on my Apocalypse animation again. This is gonna be slow going, but at least I’m doing something.

Stay woke!

⁶ And before the throne there was a sea of glass like unto crystal: and in the midst of the throne, and round about the throne, were four beasts full of eyes before and behind.

⁷ And the first beast was like a lion, and the second beast like a calf, and the third beast had a face as a man, and the fourth beast was like a flying eagle.

⁸ And the four beasts had each of them six wings about him; and they were full of eyes within: and they rest not day and night, saying, Holy, holy ...

Back to working on my animated Apocalypse. From Revelation 4:

⁸ And the four beasts had each of them six wings about him; and they were full of eyes within…

The lion-to-lamb head is just a placeholder, because:

⁷ …the first beast was like a lion, and the second beast like a calf, and the third beast had a face as a man, and the fourth beast was like a flying eagle.

So I gotta do a calf, man, and eagle face as well. The four heavenly Beasts resemble the cherubim of Ezekiel, but instead of being one four-winged creature ...

They make an ok flying motion. More importantly, they morph with the rest of the set I’ve been making.

Some stuff that should be easy drives me crazy. This cup design took way too long.

Seven golden candlesticks = 1 temple menorah.